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Spike is relieved when a demon, citing D’Hoffryn, turns up to kill Anya, but it turns out to be too difficult to him to kill so they run away instead.Īt Sunnydale High, all Hell is (almost literally) starting to break loose, as the Hellmouth beneath the school is making all the kids crazy and violent.
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Anya awkwardly flirts, saying she thought Spike was asking her on a date, and then rambles on a bit about sex, because apparently Anya’s characterisation this series is “sex maniac” and that’s it.
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1 T19:14:43-07:00 Transcript “Not Exactly the St.After the credits, Anya bitches to Spike about the stupidity of her decision to become human again, and they both complain about how Buffy’s house is full of Potentials (here’s an idea: DON’T LIVE THERE, THEN) and agree that getting drunk is the best way of coping.Crispin’s Day Speech meta T19:32:38-07:00 YouTube T07:07:56.000Z KmlFY6eeLzw Michael Pearson Crispin’s Day Speech ( Buffy the Vampire Slayer) 4 A clip from Buffy the Vampire Slayer that mentions the St. meta T18:03:02-07:00 2019, 1623, 1600 English Daniel Yabut, British Library, Folger Shakespeare Library Screenshot Daniel Yabut, British Library, Folger Shakespeare Library NA Crispin’s Day speech in Folio 1 compared to a scan of the speech in Quarto 1.
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1 T00:48:25-08:00 2008 PS3 Commercial 4 A commercial for the PlayStation 3 that features the St.
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Crispen Day Speech 5 A scene from the movie Renaissance Man that features the St.

And I’ll kill anyone that comes near Dawn.

Navigating Digital Text, Performance, & Historical Resources Main Menu Overview by Sujata Iyengar and Nathalie Vienne-Guerrin 'Henry V' : A Guide to Early Printed Editions by Daniel Yabut “with rough and all-unable pen…” : Source Study and Historiography in Shakespeare’s 'Henry V' by Mikaela LaFave Pistol and Monsieur Le Fer: An Anglo-French Encounter by Charlène Cruxent Université Paul-Valéry Montpellier 3, IRCL, UMR5186 CNRS Making & Unmaking National Identity: Race & Ethnicity in Shakespeare’s 'Henry V' by Nora Galland 'Henry V' Onstage: From the Falklands War to Brexit (1986-2018) by Janice Valls-Russell The Problematic Reception of 'Henry V' in France: A Case Study by Florence March “For ’tis your thoughts that now must deck our kings”: Henry’s Popular Afterlives by Philip Gilreath “On your imaginary forces work”: How 'Henry V'’s Chorus Changes the Play Text during Olivier’s Film by Julia Koslowsky A Guide to Teaching 'Henry V' and its Sources by Hayden Benson Study Questions Key Scenes and Speeches from 'Henry V' Back Matter Transcript “Not Exactly the St. Please enable Javascript and reload the page. This site requires Javascript to be turned on.
